Tremors and Transformations: Masterworks of American Avant-Garde Experimental Film, 1920-1970

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Originally published in Sight & Sound, January 2016

Given the sheer number of histories one might prescribe to a given field of cinematic practice, any attempt, no matter how valiant, at cataloging an entire era of creativity or period of productivity can only reasonably be said to offer a single interpretation of said events. To their credit, Flicker Alley do not attempt to annotate a half-century’s worth of non-industrial cinema with their new Blu-ray/DVD box set, “Masterworks of American Avant-Garde Experimental Film, 1920-1970,” so much as outline one rough trajectory of noteworthy accomplishments in interdisciplinary visual art over its most evolutionary span. Curated by filmmaker and preservationist Bruce Posner, the four-disc, region-free collection resurrects 37 works (many of them restored and new to digital) of experimental and non-commercial Stateside cinema, allowing the films themselves to navigate a course through the past rather than imposing an ahistorical lineage through which to view their attributes. Continue reading

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Art of the Real 2016

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Originally published by Brooklyn Magazine, April 6, 2016

José Luis Guerín’s The Academy of Muses, the highlight of the third annual edition of Art of the Real, casually yet thrillingly embodies much of what drives the nonfiction showcase’s unique curatorial initiative. Indicative of co-programmers Dennis Lim and Rachael Rakes’s liberal programming ideology and predilection for works of shapeshifting provenance, Guerín’s film is likewise exemplary of a primary theme coursing through many of this year’s best selections. One of the oldest and most fruitful of creative gambits, the muse—as vague, elusive, and oft-intangible a conception as it may be—nonetheless continues to motivate many an artistic pursuit; it follows that filmmakers should frequently extol the virtue of such sources. Continue reading