Originally published in Sight & Sound, January 2016
Given the sheer number of histories one might prescribe to a given field of cinematic practice, any attempt, no matter how valiant, at cataloging an entire era of creativity or period of productivity can only reasonably be said to offer a single interpretation of said events. To their credit, Flicker Alley do not attempt to annotate a half-century’s worth of non-industrial cinema with their new Blu-ray/DVD box set, “Masterworks of American Avant-Garde Experimental Film, 1920-1970,” so much as outline one rough trajectory of noteworthy accomplishments in interdisciplinary visual art over its most evolutionary span. Curated by filmmaker and preservationist Bruce Posner, the four-disc, region-free collection resurrects 37 works (many of them restored and new to digital) of experimental and non-commercial Stateside cinema, allowing the films themselves to navigate a course through the past rather than imposing an ahistorical lineage through which to view their attributes. Continue reading
Originally published by Brooklyn Magazine, April 6, 2016
José Luis Guerín’s The Academy of Muses, the highlight of the third annual edition of Art of the Real, casually yet thrillingly embodies much of what drives the nonfiction showcase’s unique curatorial initiative. Indicative of co-programmers Dennis Lim and Rachael Rakes’s liberal programming ideology and predilection for works of shapeshifting provenance, Guerín’s film is likewise exemplary of a primary theme coursing through many of this year’s best selections. One of the oldest and most fruitful of creative gambits, the muse—as vague, elusive, and oft-intangible a conception as it may be—nonetheless continues to motivate many an artistic pursuit; it follows that filmmakers should frequently extol the virtue of such sources. Continue reading
Originally published by The Hollywood Reporter, May 5, 2016
At 90 years old, director Claude Lanzmann made his first trip to the Academy Awards this past February on behalf of the Oscar-nominated documentary short film, Claude Lanzmann: Spectres of the Shoah, Adam Benzine’s moving tribute to the nonfiction filmmaking titan and his most celebrated work, the landmark nine-hour Holocaust documentary Shoah (1985). Featuring new interviews with Lanzmann and a selection of critics and fellow directors, as well as unreleased footage from the making of Shoah, Benzine’s film is both an inside look at how a work of such historic and cinematic magnitude came to be and a loving portrait of an artist whose integrity and sense of humanity remains undiminished. Claude Lanzmann: Spectres of the Shoah premieres on HBO on Monday, May 2, at 9 p.m. ET/PT.
The following are excerpts from an interview conducted on Feb. 27, the eve of the 88th Academy Awards that Lanzmann attended. Continue reading